比尔·波特，美国当代作家、翻译家和著名汉学家。他把中国古代大量的佛教典籍翻译成英文，在欧美引起了极大的反响。他曾经以“赤松”的笔名翻译出版了《寒山诗集》《石屋山居诗集》《菩提达摩禅法》等英文著作。从1972年起，他一直生活在中国台湾和香港地区，经常在中国大陆旅行，并写了大量介绍中国风土人文的作品，《空谷幽兰》是其中最著名的一本，它在欧美各国掀起了一股学习中国传统文化的热潮。

比尔·波特，美国当代作家、翻译家和著名汉学家。他把中国古代大量的佛教典籍翻译成英文，在欧美引起了极大的反响。他曾经以“赤松”的笔名翻译出版了《寒山诗集》《石屋山居诗集》《菩提达摩禅法》等英文著作。从1972年起，他一直生活在中国台湾和香港地区，经常在中国大陆旅行，并写了大量介绍中国风土人文的作品，《空谷幽兰》是其中最著名的一本，它在欧美各国掀起了一股学习中国传统文化的热潮。

Transpatial Modernity offers the first in-depth account of the triangular relationship among Chinese, Japanese, and Russian literature and culture in the modern era. Drawing on primary sources in all three languages—among others—Xiaolu Ma reveals how Chinese writers translated and appropriated Russian cultural tropes through the intermediary of Japanese writing in the late nine...(展开全部)

Transpatial Modernity offers the first in-depth account of the triangular relationship among Chinese, Japanese, and Russian literature and culture in the modern era. Drawing on primary sources in all three languages—among others—Xiaolu Ma reveals how Chinese writers translated and appropriated Russian cultural tropes through the intermediary of Japanese writing in the late nine...(展开全部)

The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, somet...(展开全部)

本·方登，美国作家，1958年生于美国北卡罗来纳州，现居得克萨斯州达拉斯。作品获得过诸多文学奖项，其中短篇小说集《与绝迹之鸟的短暂邂逅》获海明威奖，长篇小说《漫长的中场休息》获美国国家书评人奖，入选BBC本世纪必读12本小说。

本·方登，美国作家，1958年生于美国北卡罗来纳州，现居得克萨斯州达拉斯。作品获得过诸多文学奖项，其中短篇小说集《与绝迹之鸟的短暂邂逅》获海明威奖，长篇小说《漫长的中场休息》获美国国家书评人奖，入选BBC本世纪必读12本小说。

The well-meaning protagonists of "Brief Encounters with Che Guevara" are caught--to both disastrous and hilarious effect--in the maelstrom of political and social upheaval surrounding them. Ben Fountain's prize-winning debut speaks to the intimate connection between the foreign, the familiar, and the inescapably human.

Until the 1980s, a common narrative about women in China had been one of victimization: women had dutifully endured a patriarchal civilization for thousands of years, living cloistered, uneducated lives separate from the larger social and cultural world, until they were liberated by political upheavals in the twentieth century. Rich scholarship on gender in China has since comp...(展开全部)